Ryotedori Tenchinage

Pivot the hips to generate power when taking the leading hand low. Use a zig-zag motion when applying the throw. In many cases, Nage will do the initial ‘zig’ correctly but forget to ‘zag‘ behind Uke and just move in a straight line. It can be very difficult to throw if Uke resists unless the throw direction is correct. Finally, keep motion smooth, continuous and relaxed.

Basic entering movement for Ryotedori Ikkyo, Nikyo, Sankyo, Iriminage etc

Although in ryotedori two hands are grabbed, Nage can think of the initial entering to off-balance Uke as a katatedori movement. Simultaneously atemi to the face, pivot the hips and step to the side (not back), then slide the atemi hand down the arm of Uke to off-balance at the elbow. Nage’s hands are now at Uke‘s wrist ready to apply ikkyo, nikyo, sankyo, iriminage etc.

Ryotedori Iriminage

Perform the initial entering movement (above). After entering behind Uke, take proper control of Uke‘s head by placing it at your shoulder. Tenkan as usual but not too much and aim to use a single tenkan step rather than shuffle awkwardly.

Ryotedori Shihonage

Don’t worry about throwing with both hands secured on Uke‘s pinned hand. The other arm of Uke becomes naturally trapped in the movement.

Ryotedori Kaitennage

As Uke grabs, tenkan with one hand low (in front of hara) and the other hand high (with palm facing your face). This rotates Uke into an unstable position. Then extend the low hand to the side while at the same time lowering the raised hand behind your back as you step under Uke‘s arm. Pivot and perform the kaitennage throw in the usual way.